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Search our Auction Archives below to find item values. Benton studied for years in Paris and New York City during the s when he would become one of the founding members of the Regionalist art movement. Thomas Hart Benton was known for his paintings that glorified the Midwest despite spending over 20 years in New York City.
Benton would become popular after his painting "Indiana Murals" became a part of the Century of Progress exhibition. The painting depicted the lives of normal people in the state of Indiana, and it is currently on display at Indiana University in Bloomington. The magazine also featured an article entitled "The U.
S Scene" that proclaimed Benton as one of the saviors and new heroes of American art. After being ostracized by the New York community, Benton moved back to Missouri in Shortly after moving back home, Benton was commissioned to paint "A Social History of Missouri" for the state capitol building.
Benton would go on to create several more iconic works of art in Missouri including "The Year of Peril" and "Lincoln. Other artists with this Nationality Gorham Manufacturing Co. Start Over. Auction Archives. Prints and Works on Paper 1 Prints Modern 8 Contemporary to present 4 Unspecified American 25 Continental 1 Texan 2. Price Range: to. How do you know what's valuable? View Art Value Guide.
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Thomas Hart Benton Art Prints
Politically, Benton helped implement "manifest destiny" with his wholehearted support of national expansion. He wrote in "In a few years the Rocky Mountains will be passed and the 'children of Adam' will have. But his career foundered on the issue of slavery. A believer in the Union and an opponent of slavery, he voted against the Compromise ofwhich deferred conflict on the slavery issue. Benton's intransigence outraged the Missouri legislature, and they replaced him with a pro-slavery Whig in Provenance C.
Fine Arts, St.
Back to Top.Thomas Hart Benton captured the attention of Missouri and the art world with his paintings depicting life in America. He was on the forefront of what is now known as the American Regionalism Movement in the late s and s.
These magnificent panoramas of Missouri history still adorn the Missouri State Capitol. His father was a four-term congressman and U. The family spent time in Washington, D. Early on, the young Benton showed great promise as an artist, but his father pushed for a career in law. Thomas was working as a surveyor in when a random encounter in a barroom led to a job at the Joplin American newspaper.
His job was to draw humorous portraits of city leaders and local citizens, which paid him about fourteen dollars a week. Even though the pay was low, the job was a perfect fit for the blossoming young artist. During his late teens and twenties, he continued to pressure his father into sending him to art school, but his plan backfired when his father shipped him off to military school in Alton, Illinois.
His years at art schools in Chicago and Paris refined his abilities, but he truly came into his own as an artist during his travels in the early s. By the late s he was already one of the top American Regionalist painters on the art scene. He used vivid colors that jumped off the canvas and painted almost cartoon-like images of people. Many of his famous works are still on display throughout the country. His leadership in the Regionalist Movement paved the way for other artists of his style to follow.
It helped cost him his job at the Kansas City Art Institute. His home and art studio at Belleview is now a museum open to the public.His fluid, sculpted figures in his paintings showed everyday people in scenes of life in the United States.
Though his work is strongly associated with the Midwestern United States, he studied in Paris, lived in New York City for more than 20 years and painted scores of works there, summered for 50 years on Martha's Vineyard off the New England coast, and also painted scenes of the American South and West.
Benton was born in Neosho, Missouri, into an influential family of politicians. He had two younger sisters, Mary and Mildred, and a younger brother, Nathaniel. Known as the "little giant of the Ozarks", Maecenas named his son after his own great-uncle, Thomas Hart Benton, one of the first two United States Senators elected from Missouri.
Given his father's political career, Benton spent his childhood shuttling between Washington, D. His father sent him to Western Military Academy inhoping to shape him for a political career. Growing up in two different cultures, Benton rebelled against his father's plans.
He wanted to develop his interest in art, which his mother supported. As a teenager, he worked as a cartoonist for the Joplin American newspaper, in Joplin, Missouri.
His mother supported him financially and emotionally to work at art until he married in his early 30s. His sister Mildred said, "My mother was a great power in his growing up.Up Close At Home: Thomas Hart Benton
Influenced by the latter, Benton subsequently adopted a Synchromist style. During World War I, he served in the U. Navy and was stationed at Norfolk, Virginia. His war-related work had an enduring effect on his style. He was directed to make drawings and illustrations of shipyard work and life, and this requirement for realistic documentation strongly affected his later style. Later in the war, classified as a "camoufleur," Benton drew the camouflaged ships that entered Norfolk harbor.
His work was required for several reasons: to ensure that U. Benton later said that his work for the Navy "was the most important thing, so far, I had ever done for myself as an artist. Wikipedia article References Wikipedia article. Wikipedia: en. Thomas Hart Benton Artworks. Wheat Thomas Hart Benton Trail Riders Thomas Hart Benton Achelous and Hercules Thomas Hart Benton Spring Tryout Thomas Hart Benton July Hay Thomas Hart Benton Threshing Wheat Thomas Hart Benton Prodigal Son Thomas Hart Benton Directly printed on high quality archival canvas with a brushstroke coating option.
Either stretched, gallery wrapped or framed. Low Resolution file size is approximately 1 MB, suitable for prints up to 8 x inches and High Resolution file size is approximately 4MB, suitable for prints up to 11 x inches. Image resolution and sizes vary. Printed on heavy white archival paper. Image size is exact plus a small white border for matting and framing. Bright white, 5 x 7-inch super-smooth note card with matching white envelope.
Image size is approximately 4 x 6-inches. Available in quantities of 5, 10 or 20 with the option of a kraft greeting card box for gift giving and storage. Our archival solvent posters have a satin finish and come rolled in a tube. May be framed by your local framer or art store. Stretched around.
Printed with your choice of mirrored or solid colored edging. Arrives ready to hang with finished edges and installed wire hanger. Already have a frame or would like to purchase one locally? No problem. Stretched around 1. This depth of stretcher bar provides a more modern look and is not as easily framed at a later date.
Stretched on. This is a great option for framing locally or crafting your own frame. Rolled giclee canvas prints allow you to explore your own framing options for your design and will require mounting or stretching locally.
Ideal for gifts as these are cost effective to ship, especially internationally. Choose from many canvas options including rolled, gallery wrapped or one of our custom frames to compliment any decor. When asked by the director, Alvin Johnson, Thomas agreed to the work without compensation. Starting in New York, the mural moves south and west, circling back to coal country and the Rust Belt which Benton clearly captures here.
Build a piece of American history on canvas, poster or fine art paper! Explore more of our Thomas Hart Benton collection. Canvas prints: The most accurate option to represent an oil painting.The revolution comes north.
It does so convincingly in side by side installations and bringing to the fore little studied connections a number of major American Artists had with their Mexican counterparts. Times are hard everywhere as I write this as April, comes to a close. A sobering thought at this moment. The first work in the show. Rightly famous for his incredible Murals, he was also a terrific easel Painter for his entire career, work that has yet to receive the attention on the level of his Murals.
Are those some remnants of his passion for Cezanne, particularly in the clothes worn by the lead gentleman? Though the decade-long Mexican Revolution ended years ago inthe final death toll may never be known. Today, estimates range between one million and three million, not including thatwho died in the pandemic. Diego Rivera spent the entirety of the Mexican Revolution studying in Europe on a grant from the governor of Veracruz to further his Art education.
He precociously devoured the work of the great European Painters of the time, as can be seen in his easel Paintings that wonderfully echo El Greco and Cezanne, aroundand his adoption of Cubism, from or so. He knew Picasso and Georges Braque and was something of a competitor of theirs as he tried to make his own name, before finding his own style.
And so, he had a major influence on Mexican history, and unintentionally, American Art history. He reached out to Diego Rivera in Europe in hopes of recruiting him for the campaign to create a new national culture.
American Epics: Thomas Hart Benton and Hollywood
They rose to the challenge, and in the process, reintroduced the Mural to Western Art. Installation View. My mission? Get this shot without people in front of the Art, which includes two rarely seen works by Frida Kahlo. One example of how extraordinarily this show was hung throughout. Of course, they had come on the backs of almost years of earlier American Artists before my time, yet American Art seemed to be playing second fiddle the Europeans until the post-Second World War years.
It was easy to get lost in the Americanism of Messers Pollock and Hopper and easy for me to relate to them particularly since both spent most of their career in NYC. Greenwich Village was home for Edward Hopper for about 50 years, and Jackson Pollock legendarily frequented the Cedar Tavern and other bars in the area, while living with his wife, Lee Krasnerin Springs, Long Island, where I indelibly visited his studio in Jackson Pollock, UntitledDo you ever think about what makes a good story—for a painting?
A century ago, Benton wanted to become the major American artist of his day. Although trained in Chicago and Paris and a member of the vanguard modern art community in New York aroundBenton had yet to make the kind of defining contribution to the art world that his ancestors Senator Thomas Hart Benton and John Charles Fremont had made to American political history.
The appeal of the emerging motion picture industry and its influential new form of storytelling were clear to Benton. Epic themes such as cultural identity, westward expansion, tolerance, and the American Dream were worthy of movie screens—why not canvas Fig.
Benton developed a cinematic painting style to communicate stories about American history and society as memorably as the movies. He learned to capture qualities intrinsic to motion pictures: the illusion of three-dimensional space; rhythmic motion; the glow of projected light Fig.
Benton sculpted clay models and lit them to highlight their three-dimensional forms. Using sketches from life and numerous studies of these dioramas, he produced large-scale paintings populated with highly sculptural, brightly lit characters meticulously arranged in energetic, rhythmic, and often symbolic compositions Fig.
Benton also became renowned for his mural cycles such as America Today —, The Metropolitan Museum of Art that also evoke the immersive environment of the movie theater. InBenton started traveling regularly around the country in search of American subject matter. He drove, took buses and trains, and even walked across the land.
Benton unabashedly transformed individuals into American types—Yankees Fig. Benton went to Hollywood, California, for the first time in the summer of ; he was on assignment to portray the motion-picture industry for Life magazine. By this time, he was one of the most famous artists in America.
He had appeared on the December 24,cover of Time magazine, and people knew him primarily as a public muralist, the nationally acclaimed artist of four monumental mural commissions completed between and His celebrity and talent led to important Hollywood commissions.
Zanuck, among them, commissioned him to create artwork promoting their movies. Complete with rawhide and grass-cloth binding and two-tone yellow and black illustrations, the publication, also on view in the exhibition, conjures the parched Oklahoma landscape. In the painting, Lancaster appears as a manly American frontiersman clad in fringed buckskin.
Our mutual interest in Benton as a visual storyteller of and for America was the impetus for the project. Beginning with this first major mural project American Historical Epic — Fig. His revisionist approach to the past brought him into critical, playful, or sympathetic exchange with historical and cinematic traditions of telling and retelling national sagas.
The large-scale painting puts the viewer on the set with a scantily clad actress in the process of being made into an American goddess. She appears at the vortex of a whirlwind of male workers operating the machinery of lenses, lights and cameras. The daily activity of creating a mythic America surrounds her. Benton believed ordinary Americans played as vital a role in the production of myth as historical figures, or movie stars.
Benton started, but never finished, an essay about his first trip to Hollywood. The account suggests how attentive Benton remained throughout his career to Hollywood.
I was not interested in particular Stars but in what went on all the time no matter what young ladies or young men were being blazzoned [sic] on the billboard headlines of the country. Join to view prices, save favorites, share collections and connect with others. Sign In Create Account. Robsjohn-Gibbings Tommi Parzinger Venini.
Gift of the Joseph H.